Feuer und Flamme sein - définition. Qu'est-ce que Feuer und Flamme sein
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Qu'est-ce (qui) est Feuer und Flamme sein - définition

1911 FILM DIRECTED BY WALTER FRIEDMANN
Der Mueller und sein Kind; Der Muller und sein Kind

Flammé (yarn)         
TWO-PLY NOVELTY YARN
Flammé
Flammé yarns are a kind of novelty yarn. It is generally a loose or untwisted core wrapped by at least one other strand.
Fyr og Flamme         
DANISH MUSICAL DUO
Jesper Groth; Laurits Emanuel; Fyr & Flamme discography; Menneskeforbruger; Kamæleon; Fyr og Flamme (album); Fyr & Flamme
Fyr og Flamme (; ) is a Danish music duo consisting of Jesper Groth and Laurits Emanuel, that represented Denmark in the Eurovision Song Contest 2021 in Rotterdam with the song ”Øve os på hinanden”.
Sein Beda         
MUSICAL ARTIST
Sein Baydar
Friday, 1st waxing of Nadaw 1244 MEHis birthday is reported as Friday, New Moon of Tazaungmon 1244 ME, which translates to Thursday, 9 November 1882. If he was indeed born on a Friday—the weekday of birth is quite important in Burmese culture, and is less likely to be misremembered; and indeed his zata name was Tha Hlaing, a Friday born name—the birthdate was most probably Friday, 10 November 1882.

Wikipédia

Der Müller und sein Kind

Der Müller und sein Kind (The Miller and His Child) is a silent film released in 1911 and is the oldest Austrian drama film to survive in its entirety. It was produced by the Österreichisch-Ungarische Kinoindustrie, which later in 1911 changed its name to the Wiener Kunstfilm-Industrie. The same company had filmed the same plot the previous year, but no footage from that earlier version survives.

The film is based on the late Romantic supernatural melodrama by German playwright Ernst Raupach, a very popular work that was first performed to great acclaim in 1830 at the Burgtheater in Vienna. Thereafter it was performed in many theatres at Halloween well into the 20th century. The film had its premiere on 21 October 1911 in Vienna.

According to the producers the film had a length of around 600 metres, on 35 mm nitrate film. The drama was filmed in 19 scenes, and at a projection speed of 16 frames per second, common in early silent films, lasted 21 minutes and 50 seconds. Although the Filmarchiv Austria, which preserves the film, has 150 metres less, the action of the film is nevertheless complete, although the ends of the individual reels are too abrupt, and the end of scene 19 is missing.

Technical direction was by Joseph Delmont, later a director of animal films and crime films, who among other things operated the camera by hand crank.